My tapestry series interrogates American origin stories and the pervasive role of misinformation in shaping collective memory.
Through layeredcompositions of tufted textiles, archival imagery, and visual glitches, I examine how myths of national identity are constructed, distorted, and upheld. These works explore the tension between history and narrative, exposing the colonial underpinnings and omissions embedded in dominant cultural storytelling.
Intertwining the intricate histories and cultural identities of the American
West, the tapestries delve into themes of land, displacement, and resilience.
They draw compelling parallels between global struggles for homeland and the experiences of Native American communities, shaped by enduring colonization, forced displacement, and the relentless fight for cultural survival and sovereignty. Through symbolic color, contemporary weaving techniques, and cultural research, I highlight shared narratives of injustice and resistance.
By incorporating imagery from archival sources and popular culture—such as Western films and iconic figures—I critique the role of media in perpetuating sanitized or misleading versions of history. The glitch aesthetic disrupts these familiar narratives, suggesting the instability and subjectivity of historical memory.
This series tells a story of pain, hope, and enduring spirit. It fosters a
dialogue that bridges cultural divides and emphasizes our shared humanity.
Through this artistic exploration, I aim to honor the past, acknowledge
present struggles, and envision a future rooted in understanding,
accountability, and solidarity.
