Tulle No. 56 Flint Hills, KA, 2025
Thomas Jackson creates and photographs site-responsive installations in natural settings, using repurposed manufactured materials, primarily fabric. Rooted in the tension between nature and artificiality, the work explores humanity's interaction with the environment and the search for equilibrium.
The photographs, which can appear digitally fabricated, are entirely in-camera with minimal post-production, meditating on illusion and asserting the real to challenge viewers to question what they see. This simultaneous harmony and conflict mirrors the imbalanced relationship with the environment.