I listen to what materials remember. Clay, metal, and found objects hold traces of life, migration, and memory, and through my hands, these histories are transformed into new forms and possibilities.
My connection to clay began in Bekwai, Ghana, where I learned from my grandmother as she shaped pots and grinding bowls that sustained our home. That early experience taught me that materials carry memory, and that ordinary objects can embody survival, labor, and life. Today, I continue that legacy by merging tradition with my own voice, reworking materials to reflect the realities of the present.
By combining traditional ceramic processes with contemporary interventions, I examine how cultural memory, migration, and identity can be reshaped through material hybridity. My work insists that brokenness, labor, and repair are not endpoints but generative forces that carry the possibility of growth. Through processes of deconstruction and reconstruction, I use sculpture and installation to question how systems,social, cultural, and economic shape who we are. I see art as a powerful tool for change, one that expresses emotion, highlights humanity, and amplifies underrepresented voices.